![]() ![]() The romantic bond between Buster and his camera must never be undermined, otherwise the whole film would come crashing down.īuster’s onscreen love of the camera as a being, an almost personified toy that brings him closer to his dream girl, reflects his real-life appreciation of this mystical doohickey. Then it was all right.” Throughout the perilous Chinatown tussle, Buster gallantly totes his battered camera around as he usually carries damsels in distress, hugging her to his body when the bad guys corner them. So I had to go back and remake that-even with the trouble of trying to get away… I still kept my camera. ![]() He previewed the sequence and it “died the death of a dog. The film originally ended with Buster abandoning the camera in a Chinatown scrape. Nevertheless, his childlike affection for the device in general is telling and utterly charming. Admittedly, the camera Buster explores in the newsreel office is a different from the one that becomes his loyal companion, a mangy early Pathé camera that needs to be hand cranked. He nuzzles the woman and the camera in much the same way, knowing instinctively that the mechanical device which so many of us see as cold and exacting is, in fact, a fascinating creature with as many secrets as a beautiful woman. Just as Buster can’t resist plunging his face into Sally’s hair and inhaling deeply, he sticks his head right inside the chamber of the first professional newsreel camera he gets the chance to examine. Upon “meeting” both Sally and a newsreel camera, he proceeds the same way, with boyish simplicity and joy in discovery, snuggling up to of them without a thought for what others might perceive as weirdness. ![]() He longed to understand her and couldn’t help edging a little closer.Īnd so Buster’s onscreen love affair with the movie camera begins-almost identically to his mega-crush on Sally, who happens to work at the M-G-M Newsreel Office. He had never seen her before, but he knew on sight that she was something mysterious, unattainable, and lovely. ![]()
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